The Table is Laid

VS: The theme and the title were given as well as the size and The The table is Laid made an allegorical sign with the twelve-place dinner setting and its site-specific location in a cathedral-like space.’ The Last Supper’ with the one place/person missing! The location gave to the work a luminosity . I wonder how it will stand in the gallery space.
KK: It must have been another place of congregation, this time leterally so. A place as well for the family to gather, for friends to meet, for communication and nurturing, for nourishment-of the mind and soul. A space for presentation and performance, where hierarchies are established, rituals observed, where cultures and histories are created and exchanged.

"The Table is Laid", 1995, 122 x 366 x 250 cm,
enamel painted wood and steel,glass, straw matting, brass,
rice, curd, milk, at 'Configura 2', Erfurt, Germany.
           Whether the altered dynamics of site and context will make a difference to the experience of 'The Last Supper' evocation of The Table is Laid, to its idea-image as 'shelter', remains to be seen. What is fairly certain is that the installation will serve to interrupt accepted modes of seeing as the work's references chase one another through various levels of codes. While the situating of plates on the floor for instance-perfectly in order as per Indian custom-playfully reverses their rightful. position on top of the table as per western table etiquette. things can get much more serious, as when a prosaic piece of furniture, the chair, gets ideologically charged. As the seat of privilege, it can become a powerful purveyor of meaning.
          Is Sundaram setting up a situation where' the viewer is expected to react to the act of representation and not the representation itself? It could also be a desire on his part to explore off- centre or discrepant territories, that fertile space between concept and reality between idea and object. that resists the predictable, where the familiar turns strange or playful. Be that as it may The Table is Laid stages an ordinary everyday event in an extraordinary way-there is some kind of paradoxical logic here that can be taken to imply that the images are more than what they seem, to imply some essential, invisible aspect of the work which needs to be discovered by each viewer individually hence the open invitation to the party or if you like the game. At a more down-to-earth level-not that the tip-tilted table and chairs ever touch level ground-the work represents the artist's love for materials, for stretching the intellectual and conceptual tone of the piece. It becomes a semiotic/conundrum at one end, with every possibility of a whimsical, somewhat Carrollean (as in Lewis Carroll) tea-party perhaps at the other, where everybody meditates on the tip-tilted unreality of reality.
VS All the objects included in Shelter are made dysfunctional, multifunctional. The boat is propped up on railway sleepe