Bibliography

 

 

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B.C.and R. Allchin, The Birth of Indian Civilization, 1968.

 

A.K. Coomaraswamy, Buddha and the Gospel of Buddhism, rev. ed. 1964.

 

B.B. Lal, Rock Paintings of Central India.. Archaeology in India, 1950.

 

Sir J. Marshall, Mohenjo-Daro and the Indus Civilization, 1931.

 

Sir A. Cunningham, The Stupa of Bharhut, 1879.

 

D.E.Barrett, Sculptures from Amaravati in the British Museum, 1954.

 

J. Marshall, Guide to Sanchi, 1918.

 

R. Thapar, A Histiory of India, I, 1966.

 

A.K. Coomaraswamy, The Origin of the Buddha Image, Art Bulletin, IX, 1927, pp. 287-329.

 

M. Hallade, Gandharan Art of North India, 1968.

 

J. Rosenfield, The Dynastic Art of the Kushans, 1967.

 

O. C. Gangoly, The Art of the Rashtrakutas, 1958.

 

A.Rea, Chalukyan Architecture, Archaeological Survey of India, XXI, 1897, reprint 1970.

 

A.K. Coomaraswamy, The Dance of Siva, 2nd ed. 1957.

 

O. C. Gangoly, The Art of the Pallavas, 1957.

 

A.Sivaramamurti, Royal Conquests and Cultural Migrations in South India and the Deccan, 1955; and South Indian Bronzes, 1963.

 

S. Kramrisch, Pala and Sena Sculpture, n.d.; and The Hindu Temple, 1946.

 

E. Zanas, Khajuraho, 1960.

 

M. Archer, Natural History Drawings in the India Office Library, 1962.

 

E. Binney, 3rd, Indian Miniatures Painting, The Mughal and Deccani Schools, 1973.

 

Ali, Mrs Meer Hassan, Observations on the Mussulmans of India, Karachi, 1978.

 

Archer, Mildred, Indian Popular Painting, London, 1977.

 

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Bernier, francois, Travels in the Mogul Empire, London, reprint 1981.

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Birdwood, G. C. M., The Arts of India, Calcutta, 1880, reprint 1988.

Black, David, and Loveless, Clive, The Unappreciated Dhurrie, London, 1982.

 

Blurton, T. Richard, Hindu Art, London, 1992.

 

Burnard, Joyce, Chintz and Cotton, India’s Textile Gift to the World, Kenthurst, Australia, 1994.

 

Chattopadhyaya, Kamaladevi, The Glory of Indian Handicrafts, New Delhi, 1985.

 

Cooper, Ilay, Rajasthan: The Guide to Painted Towns of Shekhawati, Churu, 1987.

 

Archana, The Language of Symbols, Crafts Council of India.

 

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Dalmia, Yashodhara, The Painted World of the Warlis, New Delhi,1988.

 

Dasgupta, Prodosh, Temple Terracotta of Bengal, New Delhi, 1971.

 

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Doshi, Saryu, Tribal India: Ancestors, Gods and Spirits, Bombay, 1992.

 

Dowson, John, A Classical Dictionary of Hindu Mythology and Religion, Calcutta, 1982.

 

Gillow, John, and Barnard, Nicholas, Traditional Indian Textiles, London, 1991.

 

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Jain, Jyitindra, Folk Art and Culture of Gujarat, India, 1980

 

Krishna, Nanditha, Arts and Crafts of Tamil Nadu, New York, 1992.

 

Mashe, Jivya Soma and Mashe, Balu, The Warlis, Tribal Paintings and Legends, Bombay, no date.

 

Michell, George, ed., Living Wood. Sculptural Traditions of Southern India, Bombay, 1992.

 

Mohanty, Bijoy Chandra, Patachitras of Orissa, Ahmedabad 1980.

 

Mukherjee, Meera, Folk Metal Craft of Eastern India, 1977.

 

Murphy, Veronica and Crill, Rosemary, Tie – dyed Textiles of India: Tradition and Trade, London, 1991.

 

Pathy, Dinanath, Traditional Paintings of Orissa, Bhubaneshwar, 1990.

 

Ranjan, M. P. Iyer, N., and Pandya, G, Bamboo and Cane Crafts of North East India, New Delhi 1986.

 

Saraf, D. N. , Arts and Crafts of Jammu and Kashmir, New Delhi, 1987

 

Sen, Prabhas, Crafts of West Bengal, Ahmedabad, 1994.

 

Shah, Haku, Votive Terracottas of Gujarat, New York, 1985.

 

Singh, Gurucharan, Pottery in India, New Delhi, 1979.

 

Smith, John, The Epic of Pabuji: A study, transcription and translation, Cambridge, 1991.

 

Thakur, Upendra, Madhubani Painting, India, no date.

 

Turner, Eric, Brass, London, 1982.

 

Von Leyden, Rudolph, Ganjifa: The Playing Cards of India, London, 1982.

 

Zaman, Niaz, The Art of Kantha Embroidery, Dhaka 1993.

 

Bartholomew, R., and Kapur, S., Husain, Harry N. Abrams, Inc., New York, 1971.

 

Bickelmann, U., and Ezekiel, N., Artists Today, Marg Publications, Mumbai, 1987.

 

Contemporary Indian Sculpture – The Madras Metaphor, Oxford University Press, Oxford, 1993, pp. 12 – 35.

 

Doshi, Dr Saryu, Pageant of Indian Art, Marg Publications, Mumbai, 1983.

 

Goswamy, B.N., Essence of Indian Art, Asian Art Museum of San Francisco, 1986.

 

Gray, Basil, The Arts of India, Phaidon, Oxford, 1981, pp. 215-16.

 

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Kapur, Geeta, Husain, Vakils, Mumbai, 1968.

 

Kapur, Geeta, Husain,  Contemporary Indian Artists, Vakils, Mumbai, 1978.

 

Mookerjee, Ajit, Modern Art in India, Oxford and Calcutta, 1956.

 

Parimoo, Ratan, The Painting of the Three Tagores: Abandranath, Gaganendranath, Rabindranath, Chronology and Comparative Study, Maharaja Sayajirao University of Baroda, 1973, pp. 38 – 40 and 72 – 87.

 

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Taylor, Brandon, The Art of Today, Weidenfeld and Nicholson/ Everyman Art Library, London, 1995, p. 169.

 

Thakurta, Tapati Guha, The Making of a New ‘Indian’ Art: Artists, Aesthetics and Nationalism in Bengal, c. 1850 – 1920, Cambridge University Press, Cambridge, 1992, p. 202.

 

Subhashini Aryan, Folk Bronzes of Rajasthan, Lalit Kala Akademi, New Delhi, 1994.

 

Jyotindra Jain, Painted Myths of Creation: Art and Ritual of an Indian Tribe, Lalit Kala Akademi, New Delhi, India, 1984.

 

Vishwa Chander Ohri, The Exile in the Forest, Lalit Kala Akademi, India, 1983.

 

M. K. Brijraj Singh, The Kindom that was Kotah: Paintings from Kotah, Lalit Kala Akademi, India, 1985.

   

 

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